It started out in the rear room of St. Kilda's Palace nightclub, I think in May 1991 - but it's all a bit hazy. It was Melbourne's first straight up rave techno night, although Maze @ Commerce had previously championed techno alongside underground house. Run by DJ Mark James, this was the club that made Will-E-Tell a star, yet what I remember 20 odd years later are the end of night sets of DJ Steve Robbins (later of techno group FSOM). He was older than the rest of us, and, shall we say, more learned in the art of getting off your head, but he'd been DJing since the first days of electro and had a fantastic record collection that leant heavily towards the 303 acid end of the spectrum. Steve didn't like to mix his records too much, so you got to hear great tracks in their entirety, and he always brought the night gently down towards close (none of this banging to the end and then tell the punters to fuck off nonsense).
Steve in the box at Pure after it moved to Dream Niteclub in late '91. (Scotty working the lights) |
And they still sound great two decades later.
Discogs
A1 Unleash The Groove (E-Funk Mix)
A2 Unleash The Groove (Love In Sheffield Mix)
A3 Unleash The Groove (Blips In Heat)
B1 Unleash The Groove (125th & Lenox Mix)
B2 Unleash The Groove (Screamin' Pipes)
Vinyl Rip _ 320kbps MP3 ...mediafire
Discogs
A1 Tonight's The Night (Club Mix)
A2 Tonight's The Night (Bonus Beat)
B1 On Your Way (Deep Mix)
B2 On Your Way (Bonus Beat)
Vinyl Rip _ 320kbps MP3 ...mediafire
1990's "Unleash The Groove" is a particularly strong release; "Blips In Heat" is a piece of blissful beatless bleep, and the b-sides are completely insane organ workouts. "Tonight's The Night" on The Sound Vandals' 1991 release is a quite annoying bit of New York sample house, but the bonus beats are good.
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